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Read Moreeaqffzzebdfzbtvzfsfzfa With roots dating to 1886, Caterpillar is the world’s leading maker of construction, mining, and other equipment used across numerous industries.
Essential tools for DJs on the hyperplane.“Mnestic Pressure” is Lee Gamble’s first album since 2014 and his first with Hyperdub, a reset that sees a noticeable change in his sound and the concepts that feed into his music. On the cover, Al Qadiri appears as Shaneera, her evil extreme femme alter ego, the design inspired by stale pop diva record cover imagery from the Arab world. The language is a mixture of Kuwaiti and Egyptian Arabic, and one Iraqi proverb, Sonically, the record combines Khaleeji (Arab Gulf), Western drum kits and Arabesque melodies. Her natural look, at odds with the conventional presentation and performance of femininity in the region, is transformed on the cover into a maximum femme look inspired by a mid 2000s Kuwaiti trend of extreme makeup. Conceptually, the EP follows Al Qadiri’s long term exploration of gender identity and performance in the Gulf.Overall, 3 million-plus CAT-branded products bearing the iconic Caterpillar yellow color are believed in operation worldwide.
After building its first steam traction engine tractor in 1890, the Caterpillar name was trademarked in 1910.
Burial's side continues to push the depths of deep UKG, rolling out one of his idiosyncratic shuffles to a fiery angelic mellodyne'd vox - classic Burial if you will then, but fresh and brand new and guaranteed to please.
Correct me if I'm wrong, but I think this is the first time since 2009 that the label head (not to mention author of Sonic Warfare) has remixed one of the most cultishly adored people in bass music - making this new 10" one hell of a coup!
Its eight tracks are broken down into acts that are rooted in themes of vulnerability, sisterhood and death, threading the chaotic sonics with modern operatic undertones and a Shakespearean sense of tragedy. It's always an exciting time when Burial drops a new single, and this one features his long term friend, cohort and, really, if you think about it, the person responsible for bringing the skills of this enigmatic Londoner to our ears: Kode 9.
' Tommy' also steps things up in conceptual terms.
Here his hypermodern production and crunchy, dissembled beats feel like they could be malfunctioning holograms projected onto the hallucinated memories of his early work.