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It can be found on intaglio prints that were hand pulled from small plates.Commercial presses that utilised impression cylinders with a number of images on them did not create plate marks.
PTH is intended to mount component leads in through hole technologyan embossment surrounding a printed image, caused by the difference in height between the press bed and the printing plate under a single sheet of paper.The French composer Guillaume de Machaut (c.1300-1377) wrote one of the first complete Ordinary cycles, the Messe de Notre Dame.Although Machaut's mass is not the earliest surviving mass cycle (there are two which predate it), it is the earliest by a single composer and indeed the earliest to display such a high degree of unity.This constitutes the plagal modethe system of dividing the chant repertory into eight modes had its origins in the eight echoi of the Byzantine chant of the Eastern Church.Various terminologies have been used associated with this 'eight-mode system'.In the 12th- and 13th-centuries further developments of organum took place in the Magnum Liber Organi.
In about 1300, polyphonic cycles of the Ordinary (having two or more sections musically related to one another) appeared.
Planing is used to produce horizontal, vertical, or inclined flat surfaces on workpieces usually too large for shaping.
Special types of planes are designed to cut joints or decorative anglicised version of the German verb planieren, here meaning to size printing paper.
Plantin took on an assistant, Jan Moretus (Moerentorf), who read Latin and Greek, could write correspondence in several modern languages, became Plantin's business manager, son-in-law and eventually his successor in the Plantin printing press.
For over two hundred years the Plantin press had a monopoly, granted by Rome, for the printing of liturgical formularies, yet in 1562, suspected of heresy, Plantin fled to France for two years.
However, originally the eighth mode was the hypermixolydian, whose pitch duplicates that of the hypodorian but in a higher octave, as specified by Ramis de Pareja (1482) and other commentators of the period(from the Latin, cantus planus) also 'plain-chant', 'plainsong', plain-song', names given to the most ancient species of Church music in the Western (Orthodox Catholic) Church.