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The stiletto high heel is modern woman’s most lethal social weapon.First imagined in the 1930s but not realized until postwar technology made it possible in the early 1950s, the stiletto is a visual slash born to puncture and pierce.

amine 2046 hotmail fr rash lemarok1 spaw 666 zak prince chris 48 mouka aragone 23 azitouni5 userfirefox dcdcdc 220 enctype multipart data share method post Nom author 20 Liste file monfichier 05 Envoyer R Rechercher un mail smails get mot lookfor 300 05px » 320 justify artist Aflams Hindi Comedie Marocaine Breakdance Criss 20Angel Angel Accidents Mr 20Bean Bean Animaux Drole Motos Cars Body Building DJ 50 20cent cent Eminem Hard 20rock rock Naruto Freestyle Free Guitar Skating Les rouleurs BMX Surfing PS Tutoriaux Photoshop drawing video object 280 param movie metacafe fplayer 107178 soccer skills swf embed application x shockwave flash Titre la on Click open Br Window2 htmlplus scrollbars no resizable 700 Categorie Ajout?Reports of high-heeled crime were on the increase in 2013. C., a man complained to the police that a petite woman had hit him in the head with her shoe outside the Ibiza nightclub.After a fight at a Washington 7-Eleven, three women were arrested for stabbing their opponents; one wielded a knife, but the other two used their shoes, leading to the charge, “Assault with a dangerous weapon.” In Houston, Texas, a 44-year-old woman was charged with murder after a bloody clash in a condominium tower during which her professor boyfriend died after being struck in the head, face, and neck by 30 blows from her stiletto heels.The dagger later called a stiletto began as a needle-like medieval tool to finish off a fallen knight by a thrust through chain mail or between plate armor.During the Renaissance, the stiletto became the favorite weapon of Italian assassins, jabbing from behind through heavy fabric or leather and killing invisibly while barely leaving a drop of blood.The high heel creates the illusion of a lengthened leg by shortening the calf muscle, arching the foot, and crushing the toes, forcing breasts and buttocks out in a classic hominid posture of sexual invitation.

The eroticization of high heels (still at medium height) was sped along in the 1920s by the rising hemlines of flappers showing off their legs in scandalously hyperkinetic dances like the Charleston.

Alfred Hitchcock’s fetishistic focus on high heels can be seen throughout his murder mysteries, from his early silent films in London to his Technicolor Hollywood classics like Vertigo and The Birds, where Tippi Hedren (a former fashion model) demonstrates the exquisite artifice of high-heel wearing as well as its masochistic vulnerability, chronicled in a thousand low-budget horror movies.

A woman in high heels, unable to run, is a titillating target for attack.

The high heel in its dazzlingly heraldic permutations (as dramatized in Sex and the City) is beyond the comprehension of most men: only women and gay men can tell the difference between a Manolo Blahnik and a Jimmy Choo.

In full disclosure, I never wear these shoes and indeed deplore their horrifying cost at a time of urgent social needs.

But the high heel as an instrument of sex war can be witnessed in action in a stunning face-off in Butterfield 8 (1960), where Elizabeth Taylor as a glossy call-girl, her wrist painfully gripped by Laurence Harvey at a chic Manhattan bar, implacably grinds her phallic spike heel into his finely leathered foot.