Dating a music man guitar
Rock N' roll, soul, and later funk, became very popular in Nigeria, and elements of these genres were added to jùjú by artists such as IK Dairo.
Ganja" Owoh, whose distinctive toye style fused jùjú and highlife.The result was that highlife ceased to be a major part of mainstream Nigerian music, and was thought of as being something purely associated with the Igbos of the east.Highlife's popularity slowly dwindled among the Igbos, supplanted by jùjú and fuji.However, at its roots, fuji is a mixture of Muslim traditional were music'ajisari songs with "aspects of apala percussion and vocal songs and brooding, philosophical sakara music"; of these elements, apala is the fundamental basis of fuji.The first stars of fuji were the rival bandleaders Alhaji Sikiru Ayinde Barrister and Ayinla Kollington. The African hemiola style, based on the asymmetric rhythm pattern is an important rhythmic technique throughout the continent.
Nigerian music also uses ostinato rhythms, in which a rhythmic pattern is repeated despite changes in metre.
Main article: Fuji music Apala, a traditional style from Ogun state, one of yoruba state in Nigeria, became very popular in the 1960s, led by performers like Haruna Ishola, Sefiu Ayan, Kasumu Adio, and Ayinla Omowura.
Ishola, who was one of Nigeria's most consistent hit makers between 1955 and his death in 1983, recorded apala songs, which alternated between slow and emotional, and swift and energetic.
Fuji grew steadily more popular between the 1960s and '70s, becoming closely associated with Islam in the process.
Fuji has been described as jùjú without guitars; ironically, Ebenezer Obey once described jùjú as mambo with guitars.
However, political corruption and rampant music piracy in Nigeria has hampered the industry's growth.