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Sometimes the dated feeling is due to the blatant extrapolation of trends ascendant when the work was written into the far future. It's possible that the prediction turned out to be technologically or aesthetically accurate (or at least on the right track), but the prediction still fails because of the designer's implicit assumption that social values will be the same in the future as in their own time (as demonstrated in the page image).
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Not that this is not always a bad thing: Often the dated vision of the future is a lot more imaginative than anything being attempted today, with more modern, "realistic" depictions striking viewers as bland and boring precisely because of the authenticity. In the first song, "Trans-Island Skyway", the narrator tells us he is about to embark on a journey in his new dream-car, a custom-tooled Kamakiri.
Gets its name and definition from a book of neologisms concocted by the two. Compare The Aesthetics of Technology, Crystal Spires and Togas, I Want My Jet Pack, Hollywood History, Punk Punk, Steam Never Dies, Schizo Tech, Science Marches On, 20 Minutes into the Future, Raygun Gothic, and Retro Universe. When the creators actually predict what the future holds Note: The songs on this album represent certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight and build. It's built for the new century: steam-driven, with a self-contained vegetable garden and a radio link with the Tripstar routing satellite.
Something — a character design, a building, anything — used to be someone's idea of futuristic.
Nowadays though, it ironically has a quaint sort of datedness to it more reminiscent of the era the work came from (or imitates, in case the zeerust is deliberate).
Some are rather tempting and open minded like the lady gracing the green wall of her bedroom.