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The Lost Tomb of Nebamun Giovanni d’Athanasi found Nebamun’s tomb-chapel in the necropolis of the nobles on the west bank at Luxor in the autumn of 1820.The astonishingly beautiful and well preserved paintings were quickly removed and shipped to the British Museum, eleven painting fragments in total.
What is truly remarkable about this masterpiece of the Egyptian style is the design, the proper arrangement of the elements in harmonious proportion where the interaction of positive and negative space reinterprets the arcane rules of hieratic representation and converts it into a living expression of shape, color, drawing and texture.Almost a decade ago, an extensive conservation project, the largest undertaken in the British Museum’s history, required meticulous efforts by a cadre of scholars to secure the famous paintings’ fragments for at least another half-century.In the 19th Century, the paintings were mounted in plaster and placed in glass-enclosed boxes. En fin: Despistes aparte, me habia compredo el libro y hecho fotos de todo, lo que dice mucho en favor del Museo Britanico: Puedes hacer las fotos que quieras, con flash, sin flash, cerca, lejos..nadie te dice nada ni te molesta. Pero creo que ultimamente se han puesto tontos en el Museo de El Cairo. The Nebamun paintings are not merely a decoration of his tomb, but an account of his successful life and a recreation for his ka to enjoy for all eternity. But we must understand that ancient Egyptians did not consider actual facts as the only dimension of reality. En cuanto a los frescos, son preciosos, reales, tecnicamente parece que se pintaron ayer tarde. En mi defensa dire que como me van cambiando las cosas, pensaba que estaba cerrada y no la habia visto. Facsimile of a scene depicting an estate (Tomb of Nebamun, ca. They depict different aspects of the idealized daily life of an 18th Dynasty noble, his family and friends in work and leisure activities concerning a man of his social status, such as surveying his estates, inspecting cattle and geese, enjoying banquets and hunting in the marshes. One painting shows that Nebamun owned horses and chariots, quite a luxury fit only for royalty.The water in the left-hand section of the composition overflows with blossoming lotus buds, delicate symbols of rejuvenation that recur throughout ancient Egyptian art and architecture.
Nebamun’s fragile tomb paintings, acquired by the British Museum in the 1820s, were on display through the 1990s.
The Painted Tomb-Chapel of Nebamun is concerned with the detective work undertaken to help us to understand and see them properly displayed in a new permanent gallery.
Richard Parkinson discusses each painting fully, with reconstructions and translations of the hieroglyphic texts, a discussion of the other known fragments (now in Berlin and Avignon) and a reconstruction of the whole tomb chapel.
These “jewels” of the British Museum have been part of the Egyptian collection since 1820. By what may be surmised from the paintings, Nebamun (Amen is Lord) was a wealthy official, the “scribe who counts the grain in the granary of divine offerings”, an accountant from the Temple of Amen at Karnak, who lived under the reign of either Thutmose IV or Amenhotep III, at the peak of Egypt’s glory.
Wilkinson, Graphic Section, Egyptian Expedition of The Metropolitan Museum of Art Tempera on paper; H. (99 cm) Rogers Fund, 1930 (30.4.57) he Nebamun paintings are among the most famous images of Egyptian art, published in nearly every fancy illustrated book of ancient Egypt.
His spectacularly painted tomb-chapel dates to a generation or so before the reign of Pharaoh Tutankhamun (r. On a small boat, the exuberant Nebamun is shown pursuing fowl in the Nile River’s fertile marshes, a place of rebirth in the ancient Egyptian cosmology.