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There are more Fernando La Rosa prints in my collection than of any other photographer.
During World War II color film was scarce, but a friend gave him a three-foot strip.At the time, he was also giving a photography workshop, and he took his students to see my exhibit.After he saw it, he invited me to have a show at Secuencia.Meet Fortunata Fortuna, at a crossroads but ready to make her mark on the world What goes through your head when the person you love leaves you?What do you do with your life when you have to start it all over again? Nata’s world fills with unanswered questions when Beto leaves her.Aeby remembers how he made the first color photograph of an atomic explosion: “I’d walked out just a bit north of base camp.
I used a chair as a tripod, sat in the seat with the back facing the detonation area, and rested the camera on the back of the chair.
He had just sent us Understanding the world and the human mind is what art is all about.
Being an art critic and curator are extensions of my artistic practice; collecting art is another passionate endeavor –like a game of marbles.
I thought the image marked two memorable moments in the history of photography: one, where by André Breton’s commission, Álvarez Bravo constructed an enigma, the other when technology allowed Pedro to bring author and work seamlessly together so they can coexist.
Once I finished I amassed it during my elementary school years by sheer persistence and dexterity at a game of marbles.
When Aeby was in Houston to see the included works of many dear friends who have passed away: Geraldo de Barros (1923-1998), Lissie Habie (1954-2008), Mario Cravo Neto (1947-2009), and most recently, just five days before the exhibit opened, Jay Colton (1953- 2010).